One of the main things Fiona focused on during masterclass was character. In commercial fiction, character is key, character is plot. Most readers of commercial fiction want to be immersed in the story, they want to feel that they are embodying your character, or walking alongside them. This is why getting character right is vital to the success of your novel.
I’ll admit, my main protagonist came to me almost fully formed. I invested a lot of thinking time into her. But this came at a high cost to all the other characters. Even my protagonist’s daughter, who is the other main character, wasn’t well thought out.
While you don’t need to know a lot about every single character that features in your novel, if you want the main ones to be successful, it helps to give them each a profile; some things that differentiate them from others, like quirky turns of phrase that highlight their background, a unique look, an intriguing habit or tick.
I have quite a few characters, but only four that will hold court for the majority of the book. Before I started the final draft of my manuscript, I created a profile for each of these characters. I use Scrivener and fortunately there’s a built in character profile template with the software. The template includes:
- Name of Character
- Role in story
- Physical description (Fiona suggests sticking to just 2 or 3 and letting the reader fill in the blanks)
- Internal conflicts
- External conflicts
I used bullet points so as not to get bogged down in details that would either be irrelevant, or hard to remember as I work my way through the story.
I also did a google image search using keywords like ‘middle aged brunette’ and chose one that resembled the character I had in mind. By including a photo I now have a reference point for any time that I want to layer a scene with exposition about the character, that will always be consistent.